Jennifer Streeter, harpsichordist, has performed throughout the United States and Europe with ensembles including the North Carolina, Indianapolis, and Seattle Baroque Orchestras; Three Notch’d Road: The Virginia Baroque Ensemble; Alkemie; and Raleigh Camerata. She has appeared as a concerto soloist with the Monte Carlo Philharmonic, North Carolina Baroque, and Indiana University Baroque Orchestras, and has been featured at the Bloomington, Magnolia, and Amherst Early Music Festivals, as well as on the nationally syndicated radio program Harmonia.
Streeter holds master’s degrees in harpsichord and recorder from the Early Music Institute at Indiana University. Originally from Europe, she now lives in Cary, North Carolina, where she is a freelance performer, teacher, and Myofascial Release therapist.
Nancy Lambert served as Executive Director of Chamber Music Raleigh from 1995 to 2012, a period marked by significant growth in budget, programming, and donor support. Highlights of her tenure include launching the Sights and Sounds on Sundays series with the NC Museum of Art, establishing an endowment, and expanding artist residencies with educational outreach. She received the Raleigh Medal of Arts in 2012 in recognition of her decades of service to the arts community.
Stephanie Vial is a widely respected cellist known for her technical flair and expressive sense of phrasing, with a distinguished career as a performer, educator, and writer on music. She performs regularly with early music ensembles across the United States and has given solo and chamber concerts, lectures, and master classes at major institutions including The Curtis Institute of Music and the University of Virginia. As co-director of The Vivaldi Project and artistic director of the Baroque & Beyond series, she has helped develop the critically acclaimed recording series Discovering the Classical String Trio (MSR Classics), praised by Gramophone magazine. Vial holds a D.M.A. in eighteenth-century performance practice from Cornell University, is the author of The Art of Musical Phrasing in the Eighteenth Century, and teaches at the University of North Carolina at Chapel Hill and Duke University.
ABOUT THE CONCERT SPONSOR - Growing up in Raleigh, John Lambert has attended Chamber Music Raleigh concerts since the mid-1950s and joined the board in the 1980s under Jo Cresimore, helping establish the organization’s membership database and early fundraising efforts. A longtime arts writer, he later co-founded CVNC.org, which continues to provide comprehensive coverage of CMR and other presenters. He has also served on the City of Raleigh Arts Commission and the board of Arts Access, and in 1985 was among the first recipients of the Raleigh Medal of Arts.
The Museum Cafes will be open prior to the concert if you would like to add a Mother's Day Brunch or MOTHER'S DAY TEA to your concert ticket.
$31 ADULTS
$28 NCMA MEMBERS
$20 STUDENTS
Ingrid Matthews is widely celebrated as one of today’s foremost baroque violinists and a leading interpreter of historical performance practice. She won first prize in the prestigious Erwin Bodky International Competition for Early Music in 1989 and went on to perform extensively as a soloist, chamber musician, concertmaster, and guest director with many of the world’s top period-instrument ensembles, including Tafelmusik Baroque Orchestra and the Boston Early Music Festival Orchestra. In 1994 she co-founded the Seattle Baroque Orchestra, serving as its Music Director until 2013, and she has garnered international critical acclaim for her recordings, particularly her acclaimed interpretations of J.S. Bach’s solo violin works. Matthews also shares her expertise as a Visiting Associate Professor of Baroque Violin at Indiana University’s Jacobs School of Music, shaping the next generation of early music artists.
JOHN & NANCY LAMBERT PRESENT
Sunday, May 10, 2026
2:00 p.m.
SECU Auditorium - NC Museum of Art
2110 Blue Ridge Rd, Raleigh, NC 27607
ABOUT THE ARTISTS