” …such a seductively velvet sound and phrase so intuitively and exultantly that any potential difficulties seem to melt away.” THE STRAD
The quartet’s mission is to advance diversity in classical music, engaging young and new audiences through the discovery and presentation of varied repertoire that includes works by composers of color. Passion for this work has made the quartet a leading ensemble in both educational and community engagement activities. In this capacity, the quartet has written several successful grants, including a Cultural Connections Artist-In-Residence grant from James Madison University and a 2016 Guarneri String Quartet grant from Chamber Music America; the latter allowed the quartet to participate in an extended performance and educational residency in Mobile, AL, which included a close partnership with the Mobile Symphony Orchestra. In the 2017-18 season Harlem Quartet undertook a week of residency activities with the Santa Fe Youth Symphony. And since 2015 it has led an annual workshop at Music Mountain in Falls Village, CT, culminating in a concert at that venue.
ABOUT THE PROGRAM
Ilmar Gavilán, violin
Melissa White, violin
Jaime Amador, viola
Felix Umansky, cello
Wolfgang Amadeus Mozart: String Quartet in C Major, K. 465 “Dissonance”
Guido Lopez Gavilan: Cuarteto en Guaguanco
Wynton Marsalis: At the Octaroon Balls
Billy Strayhorn (arr. Paul Chihara and Harlem Quartet): "Take the “A” Train"
This concert is part of a North Carolina Black History Month Residency for Harlem Quartet funded by the NEA.
THE HARLEM QUARTET
Sunday, February 20, 2022
1:00 p.m. & 3:00 p.m.
SECU Auditorium - NC Museum of Art
2110 Blue Ridge Rd. Raleigh, NC 27607
$28 NCMA MEMBERS
ABOUT THE ARTISTS
New York-based Harlem Quartet, currently
quartet-in-residence at London’s Royal
College of Music, has been praised for its
“panache” by The New York Times and hailed
in the Cincinnati Enquirer for “bringing a new attitude to classical music, one that is fresh, bracing and intelligent.” It has also won plaudits from such veteran musicians as GRAMMY-winning woodwind virtuoso Ted Nash of the Jazz at Lincoln Center Orchestra, who declared in a May 2018 Playbill article, “Harlem Quartet is one of the greatest string quartets I have ever heard. They can play anything.” Since its public debut at Carnegie Hall in 2006, the ensemble has thrilled audiences and students in 47 states as well as in the U.K., France, Belgium, Brazil, Panama, Canada, Venezuela, Japan, Ethiopia, and South Africa.
Harlem Quartet has three distinctive characteristics: diverse programming that combines music from the standard string quartet canon with jazz, Latin, and contemporary works; a collaborative approach to performance that is continually broadening the ensemble’s repertoire and audience reach through artistic partnerships with other musicians from the classical and jazz worlds; and an ongoing commitment to residency activity and other forms of educational outreach.